Not merely the St. Ann's Warehouse--look who "shot film scenes with the French actress Emmanuelle Seigner, which will be projected onto the stage" during Lou Reed's performance. (NYT)
When I read this, I threw the newspaper up over my head. I'm not quite sure why--or what emotion I was trying to express--but it made sense at the time.
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To paraphrase Rudyard Kipling,
If having "the heat-howl of the dying otter" as "part of [one's] childhood" be the price of inclusion in a Lou Reed project, Lord God, she ha' paid in full.
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